Écoutez! Une Invitation Au Paysage Sonore Des Films D’Ousmane Sembène

Document Type

Article

Publication Date

2025

Published In

Présence Francophone: Revue Internationale De Langue Et De Littérature

Abstract

The role of sound is analyzed in five films by Ousmane Sembène, including his first films Borom Sarret (1963), Niaye (1964) and La Noire de... [Black Girl] (1966). The sounds weave an ensemble or “braid” themselves into the fabric of the film in accordance with a concept theorized by critic Trish FitzSimons. This specific nature of braided sounds reveals narrative elements by way of Sembène’s sound technologies and choices and thus invites spectators to enter into a dialogic community, or even a discursive community, with the filmmaker, his films, and other spectators world-wide.

Share

COinS