Browse the Music Collections by Author or Creator
James Blasina, Music
Lei Ouyang Bryant, Music
James D. Freeman, Music
Jonathan Hyatt Kochavi, Music
Gerald Levinson, Music
Michael Marissen, Music
Ann Kosakowski McNamee, Music
Barbara Ann Milewski, Music
Tracey Stewart, Music
Submissions from 2022
Chopin’s "Żydek," And Other Apocryphal Tales, Journal Of Musicology, Barbara Ann Milewski and B. Werb
Submissions from 2019
Phenomenally Loud: Music, Mathematics, And The Diversity Of Musical Experience, Theoretical And Practical Pedagogy Of Mathematical Music Theory: Music For Mathematics And Mathematics For Music, From School To Postgraduate Levels, Jonathan Hyatt Kochavi
The Fibonacci Sequence As Metric Suspension In Luigi Nono’s "Il Canto Sospeso", Mathematical Music Theory: Algebraic, Geometric, Combinatorial, Topological And Applied Approaches To Understanding Musical Phenomena, Jonathan Hyatt Kochavi
Review Of "In Sara Levy's Salon" By R. Cypess And The Raritan Players, Nashim: A Journal Of Jewish Women's Studies And Gender Issues, Michael Marissen
Hidden In Plain View: The Music Of Holocaust Survival In Poland’s First Post-War Feature Film, Music, Collective Memory, Trauma, And Nostalgia In European Cinema After The Second World War, Barbara Ann Milewski
Review Of "Chopin's Polish Letters" By F. Chopin, Translated By D. Frick, Nineteenth-Century Music Review, Barbara Ann Milewski
Submissions from 2018
English Subtitles For "Zakazane Piosenki" (1947), Zakazane Piosenki (1947), Barbara Ann Milewski
Submissions from 2016
Bach And God, Bach And God, Michael Marissen
Submissions from 2015
Chopin's Time Is Our Time, Chopin Without Piano, Barbara Ann Milewski
English Subtitles For "Chopin Without Piano", Chopin Without Piano, Barbara Ann Milewski
Performance Text For "Chopin Without Piano", Chopin Without Piano, B. Wysocka, M. Zadara, and Barbara Ann Milewski
Submissions from 2014
Musica Speculativa For The Twenty-First Century: Integrating Mathematics And Music In The Liberal Arts Classroom, Journal Of Mathematics And Music, Jonathan Hyatt Kochavi
Tainted Glory In Handel's Messiah: The Unsettling History Of The World's Most Beloved Choral Work, Tainted Glory In Handel's Messiah: The Unsettling History Of The World's Most Beloved Choral Work, Michael Marissen
Remembering The Concentration Camps: Aleksander Kulisiewicz And His Concerts Of Prisoners' Songs In The Federal Republic Of Germany, Dislocated Memories: Jews, Music, And Postwar German Culture, Barbara Ann Milewski
Submissions from 2013
Review Of "The Music Libel Against The Jews" By R. HaCohen, Journal Of The American Musicological Society, Michael Marissen
Eastern Europe: Introductory Thoughts, Nineteenth-Century Choral Music, Barbara Ann Milewski
Poland, Nineteenth-Century Choral Music, Barbara Ann Milewski
Submissions from 2012
Review Of "The Oxford Handbook Of Neo-Riemannian Theories" Edited By E. Gollin And A. Rehding, Music Theory Online, Jonathan Hyatt Kochavi
Józef Kropiński, Lexikon Verfolgter Musiker Und Musikerinnen Der NS-Zeit, Barbara Ann Milewski
More Music For The Kinohalle!: Józef Kropiński's Compositions In The Buchenwald Concentration Camp, OREL Foundation, Barbara Ann Milewski
Review Of "A Jewish Orchestra In Nazi Germany: Musical Politics And The Berlin Jewish Culture League" By L. E. Hirsch, Musica Judaica Online Reviews, Barbara Ann Milewski
Submissions from 2011
Review Of "Single-Voice Transformations: A Model For Parsimonious Voice Leading" By B. Derfler, Journal Of Mathematics And Music, Jonathan Hyatt Kochavi
Communications, Journal Of The American Musicological Society, Michael Marissen and J. H. Roberts
Review Of "Music In Chopin's Warsaw" By H. Goldberg, Nineteenth-Century Music Review, Barbara Ann Milewski
Submissions from 2010
Why Should I Write? Said The Pencil; "What Else Can You Do?" Said The Knife: Or, Why I Can't Tell You Why I Am A Composer, Art And Human Development, Gerald Levinson
Review Of "Handel's Messiah: Text, Musik, Theologie" By T. Erhardt, Eighteenth-Century Music, Michael Marissen
Magical Returns And The Interior Landscape Of Chopin's Mazurkas, The Sources Of Chopin's Style: Inspirations And Contexts, Barbara Ann Milewski
Submissions from 2009
How Do You Hear That? Autism, Blindness, And Teaching Music Theory, Music Theory Online, Jonathan Hyatt Kochavi
Krystyna Żywulska: The Making Of A Satirist And Songwriter In Auschwitz-Birkenau Is Discovered Through Camp Mementos, Swarthmore College Bulletin, Barbara Ann Milewski
Submissions from 2008
Bach's Oratorios: The Parallel German-English Texts, With Annotations, Bach's Oratorios: The Parallel German-English Texts, With Annotations, J. S. Bach and Michael Marissen
A Parsimony Metric For Diatonic Sequences, Music Theory And Mathematics: Chords, Collections, And Transformations, Jonathan Hyatt Kochavi
Essay, Annotations, And Translations For "Ballads And Broadsides: Songs From Sachsenhausen Concentration Camp 1940-1945" By A. Kulisiewicz, Ballads And Broadsides: Songs From Sachsenhausen Concentration Camp 1940-1945, Barbara Ann Milewski
Submissions from 2007
Handel, Messiah, And The Jews, Swarthmore College Bulletin, Michael Marissen
Rejoicing Against Judaism In Handel's 'Messiah' (George Frideric Handel), Journal Of Musicology, Michael Marissen
Unsettling History Of That Joyous 'Hallelujah', New York Times, Michael Marissen
Aleksander Kulisiewicz, Music And The Holocaust, Barbara Ann Milewski
Krystyna Żywulska, Music And The Holocaust, Barbara Ann Milewski
Review Of "Music In The Holocaust: Confronting Life In The Nazi Ghettos And Camps" By S. Gilbert, Holocaust And Genocide Studies, Barbara Ann Milewski
Submissions from 2006
Historically Informed Rendering Of The Librettos From Bach's Church Cantatas, Music And Theology: Essays In Honor Of Robin A. Leaver, Michael Marissen
Submissions from 2005
Blood, People, And Crowds In Matthew, Luther, And Bach, Lutheran Quarterly, Michael Marissen
Review Of "The Age Of Chopin: Interdisciplinary Inquiries" Edited By H. Goldberg, Notes, Barbara Ann Milewski
Submissions from 2004
Performance Practice Issues That Affect Meaning In Two Bach Instrumental Works, Historical Musicology: Sources, Methods, Interpretations, Michael Marissen
Translation Of Poetry For "Letter To Warsaw" By T. Pasatieri, Letter To Warsaw, T. Pasatieri and Barbara Ann Milewski
Submissions from 2003
Review Of "Bach And The Meanings Of Counterpoint" By D. Yearsley, Choice, Michael Marissen
The Character And Sources Of The Anti-Judaism In Bach's Cantata 46, Harvard Theological Review, Michael Marissen
Submissions from 2002
On The Musically Theological In J.S. Bach's Church Cantatas, Lutheran Quarterly, Michael Marissen
Submissions from 2001
When Words Hurt: The Gospel Of John, Bach's Music And Religious Intolerance, Sidic, P. Fredriksen, T. Hall, C. Leighton, and Michael Marissen
Submissions from 2000
Perspectives On The 'St. John Passion' And The Jews, New York Times, Michael Marissen
Review Of "Mozart: A Cultural Biography" By R. W. Gutman, Choice, Michael Marissen
The Search For Folk Sources In Chopin's Mazurkas, Polish Review, Barbara Ann Milewski
Submissions from 1999
Bach, Johann Sebastian: Biography, Reader's Guide To Music: History, Theory, And Criticism, D. R. Melamed and Michael Marissen
Chopin's Mazurkas And The Myth Of The Folk, 19th-Century Music, Barbara Ann Milewski
Submissions from 1998
Lutheranism, Anti-Judaism, And Bach's St. John Passion: With An Annotated Literal Translation Of The Libretto, Lutheranism, Anti-Judaism, And Bach's St. John Passion: With An Annotated Literal Translation Of The Libretto, J. S. Bach and Michael Marissen
Conversations On John's Gospel And Bach's St. John Passion, Spectrum: Report Of The Yale Divinity School, M. Fassler, S. Fraade, Michael Marissen, and W. Meeks
Is Religious Faith Incompatible With Academic Life?, Swarthmore College Bulletin, Michael Marissen
Review Of "The Life Of Mozart" By J. Rosselli, Choice, Michael Marissen
An Introduction To Bach Studies, An Introduction To Bach Studies, D. R. Melamed and Michael Marissen
Submissions from 1997
Review Of "William Byrd: Gentleman Of The Chapel Royal" By J. Harley, Choice, Michael Marissen
Publishing And Pedagogy Using Multimedia On The World-Wide Web, Music Theory Online, Ann Kosakowski McNamee
Submissions from 1996
Review Of "North German Church Music In The Age Of Buxtehude" By G. Webber, Choice, Michael Marissen
Submissions from 1995
Creative Responses To Bach From Mozart To Hindemith, Creative Responses To Bach From Mozart To Hindemith, Michael Marissen
The Social And Religious Designs Of J.S. Bach's Brandenburg Concertos, The Social And Religious Designs Of J.S. Bach's Brandenburg Concertos, Michael Marissen
Review Of "Machine Models Of Music" Edited By S. M. Schwanauer And D. A. Levitt, Journal Of Music Theory, Ann Kosakowski McNamee
Submissions from 1994
More Source-Critical Research On Bach's 'Musical Offering', Bach, Michael Marissen
Submissions from 1993
J.S. Bach's Brandenburg Concertos As A Meaningful Set, Musical Quarterly, Michael Marissen
Religious Aims In Mendelssohn 1829 Berlin-Singakademie Performances Of Bach 'St. Matthew Passion', Musical Quarterly, Michael Marissen
Review Of "Jacob Van Eyck's 'Der Fluten Lust-Hof'" By R. V. B. Griffioen, Choice, Michael Marissen
Grazyna Bacewicz’s Second Piano Sonata (1953): Octave Expansion And Sonata Form, Music Theory Online, Ann Kosakowski McNamee
Submissions from 1992
On Linking Bach's 'F-Major Sinfonia' And His 'Hunt Cantata', Bach, Michael Marissen
Are Boulez And Stockhausen Ready For The Mainstream?, Musical Quarterly, Ann Kosakowski McNamee
Submissions from 1991
Organological Questions And Their Significance In J.S. Bach 'Fourth Brandenburg Concerto', Journal Of The American Musical Instrument Society, Michael Marissen
Review Of "Skryabin And Stravinsky 1908-1914: Studies In Theory And Analysis" By A. Pople, Journal Of Music Theory, Ann Kosakowski McNamee
Submissions from 1988
Review Of "In Praise Of Harmony: The Teachings Of Abbe Georg Joseph Vogler" By F. K. Grave And M. G. Grave, Choice, Ann Kosakowski McNamee
Submissions from 1986
Review Of "Tonal Harmony, With An Introduction To Twentieth-Century Music" By S. Kostka And D. Payne, Journal Of Music Theory, Ann Kosakowski McNamee
Submissions from 1985
Bitonality, Mode, And Interval In The Music Of Karol Szymanowski, Journal Of Music Theory, Ann Kosakowski McNamee
The Role Of The Piano Introduction In Schubert's "Lieder", Music Analysis, Ann Kosakowski McNamee