Document Type

Book Chapter

Publication Date

2016

Published In

Fictional Characters, Real Problems: The Search For Ethical Content In Literature

Abstract

This chapter starts with the question of truth in literature, noting that this question has several interrelated senses: can literature present (significant) truths at all?; what does its presentation of truths (if it exists) have to do with its manner of presentation (with literary language)?; and is the presentation of truth a central aim of literary art? The chapter surveys a variety of neo-Fregean (Lamarque and Olsen, Walton) views that reject the very possibility of literary truth as well as a variety of anti-Fregean views (Goodman, Heidegger) that endorse it. But those endorsements often do not say enough about literary language and its grip on specific actualities. To move beyond this dispute, the chapter argues that Hegel, in his remarks on literary imagination in his Lectures on Fine Art, shows illuminatingly how literary writers sometimes arrive (and centrally aspire to arrive) at a distinctively poetic grasp of the world: die poetische Auffassung der Welt.

Keywords

literary truth, Lamarque and Olsen, Walton, Goodman, Heidegger, Hegel, poetic vision

Published By

Oxford University Press

Editor(s)

G. Hagberg

Comments

This material was originally published in Fictional Characters, Real Problems: The Search for Ethical Content in Literature edited by Garry L. Hagberg, and has been reproduced by permission of Oxford University Press. For permission to reuse this material, please visit http://global.oup.com/academic/rights.

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