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Winter 2017

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Paradise Lost repeatedly emphasizes the taste of the forbidden fruit. This essay argues that the poem averts, for discernible religious reasons, any binding judgment concerning whether the fruit is genuinely delicious or delicious only to a palate on the brink of corruption. The divine creator's participation in sensory delight would suggest his unseemly pleasure in sacrifice. This essay argues that John Milton advances a warning against grounding shared knowledge in taste. Although this lesson would go unheeded by Edmund Burke in his project of theistic empiricism, it speaks to problems within the Kantian account of aesthetic judgment and collective reason.


This work is freely available courtesy of Johns Hopkins University Press.