Document Type

Article

Publication Date

2015

Published In

Análisis: Revista De Investigación Filosófica

Abstract

Benjamin’s poetic theory is commented. It is noted that Benjamin follows Hölderlin in regarding a successful poem as a particular configuration that joins the intellectual and perceptual orders. Such a successful poem aims at and can possess not truth as correspondence to a given object, but rather what in the text is described as “emphatic truth”.

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Creative Commons Attribution-Noncommercial-Share Alike 3.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 License.

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