Browse the Music Collections by Author or Creator

James D. Freeman, Music
Jonathan Hyatt Kochavi, Music
Gerald Levinson, Music
Michael Marissen, Music
Ann Kosakowski McNamee, Music
Barbara Ann Milewski, Music

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Submissions from 2016

Bach And God, Bach And God, Michael Marissen

Submissions from 2014

Musica Speculativa For The Twenty-First Century: Integrating Mathematics And Music In The Liberal Arts Classroom, Journal Of Mathematics And Music, Jonathan Hyatt Kochavi

Tainted Glory In Handel's Messiah: The Unsettling History Of The World's Most Beloved Choral Work, Tainted Glory In Handel's Messiah: The Unsettling History Of The World's Most Beloved Choral Work, Michael Marissen

Remembering The Concentration Camps: Aleksander Kulisiewicz And His Concerts Of Prisoners' Songs In The Federal Republic Of Germany, Dislocated Memories: Jews, Music, And Postwar German Culture, Barbara Ann Milewski

Submissions from 2013

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Review Of "The Music Libel Against The Jews" By R. HaCohen, Journal Of The American Musicological Society, Michael Marissen

Eastern Europe: Introductory Thoughts, Nineteenth-Century Choral Music, Barbara Ann Milewski

Poland, Nineteenth-Century Choral Music, Barbara Ann Milewski

Submissions from 2012

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Review Of "The Oxford Handbook Of Neo-Riemannian Theories" Edited By E. Gollin And A. Rehding, Music Theory Online, Jonathan Hyatt Kochavi

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Józef Kropiński, Lexikon Verfolgter Musiker Und Musikerinnen Der NS-Zeit, Barbara Ann Milewski

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More Music For The Kinohalle!: Józef Kropiński's Compositions In The Buchenwald Concentration Camp, OREL Foundation, Barbara Ann Milewski

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Review Of "A Jewish Orchestra In Nazi Germany: Musical Politics And The Berlin Jewish Culture League" By L. E. Hirsch, Musica Judaica Online Reviews, Barbara Ann Milewski

Submissions from 2011

Review Of "Single-Voice Transformations: A Model For Parsimonious Voice Leading" By B. Derfler, Journal Of Mathematics And Music, Jonathan Hyatt Kochavi

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Communications, Journal Of The American Musicological Society, Michael Marissen and J. H. Roberts

Review Of "Music In Chopin's Warsaw" By H. Goldberg, Nineteenth-Century Music Review, Barbara Ann Milewski

Submissions from 2010

Why Should I Write? Said The Pencil; "What Else Can You Do?" Said The Knife: Or, Why I Can't Tell You Why I Am A Composer, Art And Human Development, Gerald Levinson

Review Of "Handel's Messiah: Text, Musik, Theologie" By T. Erhardt, Eighteenth-Century Music, Michael Marissen

Submissions from 2009

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How Do You Hear That? Autism, Blindness, And Teaching Music Theory, Music Theory Online, Jonathan Hyatt Kochavi

Submissions from 2008

Bach's Oratorios: The Parallel German-English Texts, With Annotations, Bach's Oratorios: The Parallel German-English Texts, With Annotations, J. S. Bach and Michael Marissen

A Parsimony Metric For Diatonic Sequences, Music Theory And Mathematics: Chords, Collections, And Transformations, Jonathan Hyatt Kochavi

Submissions from 2007

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Handel, Messiah, And The Jews, Swarthmore College Bulletin, Michael Marissen

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Rejoicing Against Judaism In Handel's 'Messiah' (George Frideric Handel), Journal Of Musicology, Michael Marissen

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Unsettling History Of That Joyous 'Hallelujah', New York Times, Michael Marissen

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Aleksander Kulisiewicz, Music And The Holocaust, Barbara Ann Milewski

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Krystyna Żywulska, Music And The Holocaust, Barbara Ann Milewski

Review Of "Music In The Holocaust: Confronting Life In The Nazi Ghettos And Camps" By S. Gilbert, Holocaust And Genocide Studies, Barbara Ann Milewski

Submissions from 2006

Historically Informed Rendering Of The Librettos From Bach's Church Cantatas, Music And Theology: Essays In Honor Of Robin A. Leaver, Michael Marissen

Submissions from 2005

Blood, People, And Crowds In Matthew, Luther, And Bach, Lutheran Quarterly, Michael Marissen

Review Of "The Age Of Chopin: Interdisciplinary Inquiries" Edited By H. Goldberg, Notes, Barbara Ann Milewski

Submissions from 2004

Performance Practice Issues That Affect Meaning In Two Bach Instrumental Works, Historical Musicology: Sources, Methods, Interpretations, Michael Marissen

Submissions from 2003

Review Of "Bach And The Meanings Of Counterpoint" By D. Yearsley, CHOICE, Michael Marissen

The Character And Sources Of The Anti-Judaism In J.S. Bach's 'Cantata 46' (Exploring The Theology Of Historical Antisemitism Within 16th-Century German Musical Literature), Harvard Theological Review, Michael Marissen

Submissions from 2002

On The Musically Theological In J.S. Bach's Church Cantatas, Lutheran Quarterly, Michael Marissen

Submissions from 2001

When Words Hurt: The Gospel Of John, Bach's Music And Religious Intolerance, Sidic, P. Fredriksen, T. Hall, C. Leighton, and Michael Marissen

Submissions from 2000

Perspectives On The 'St. John Passion' And The Jews, New York Times, Michael Marissen

Review Of "Mozart: A Cultural Biography" By R. W. Gutman, CHOICE, Michael Marissen

Submissions from 1999

Bach, Johann Sebastian: Biographies, Reader's Guide To Music: History, Theory, And Criticism, Michael Marissen

Submissions from 1998

Lutheranism, Anti-Judaism, And Bach's St. John Passion: With An Annotated Literal Translation Of The Libretto, Lutheranism, Anti-Judaism, And Bach's St. John Passion: With An Annotated Literal Translation Of The Libretto, J. S. Bach and Michael Marissen

Conversations On John's Gospel And Bach's St. John Passion, Spectrum: Report Of The Yale Divinity School, M. Fassler, S. Fraade, Michael Marissen, and W. Meeks

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Is Religious Faith Incompatible With Academic Life?, Swarthmore College Bulletin, Michael Marissen

Review Of "The Life Of Mozart" By J. Rosselli, CHOICE, Michael Marissen

An Introduction To Bach Studies, An Introduction To Bach Studies, D. R. Melamed and Michael Marissen

Submissions from 1997

Review Of "William Byrd: Gentleman Of The Chapel Royal" By J. Harley, CHOICE, Michael Marissen

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Publishing And Pedagogy Using Multimedia On The World-Wide Web, Music Theory Online, Ann Kosakowski McNamee

Submissions from 1996

Review Of "North German Church Music In The Age Of Buxtehude" By G. Webber, CHOICE, Michael Marissen

Submissions from 1995

Creative Responses To Bach From Mozart To Hindemith, Creative Responses To Bach From Mozart To Hindemith, Michael Marissen

The Social And Religious Designs Of J.S. Bach's Brandenburg Concertos, The Social And Religious Designs Of J.S. Bach's Brandenburg Concertos, Michael Marissen

Review Of "Machine Models Of Music" Edited By S. M. Schwanauer And D. A. Levitt, Journal Of Music Theory, Ann Kosakowski McNamee

Submissions from 1994

More Source-Critical Research On Bach's 'Musical Offering', Bach, Michael Marissen

Submissions from 1993

J.S. Bach's Brandenburg Concertos As A Meaningful Set, Musical Quarterly, Michael Marissen

Religious Aims In Mendelssohn 1829 Berlin-Singakademie Performances Of Bach 'St. Matthew Passion', Musical Quarterly, Michael Marissen

Review Of "Jacob Van Eyck's 'Der Fluten Lust-Hof'" By R. V. B. Griffioen, CHOICE, Michael Marissen

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Grazyna Bacewicz’s Second Piano Sonata (1953): Octave Expansion And Sonata Form, Music Theory Online, Ann Kosakowski McNamee

Submissions from 1992

On Linking Bach's 'F-Major Sinfonia' And His 'Hunt Cantata', Bach, Michael Marissen

Are Boulez And Stockhausen Ready For The Mainstream?, Musical Quarterly, Ann Kosakowski McNamee

Submissions from 1991

Organological Questions And Their Significance In J.S. Bach 'Fourth Brandenburg Concerto', Journal Of The American Musical Instrument Society, Michael Marissen

Review Of "Skryabin And Stravinsky 1908-1914: Studies In Theory And Analysis" By A. Pople, Journal Of Music Theory, Ann Kosakowski McNamee

Submissions from 1988

Review Of "In Praise Of Harmony: The Teachings Of Abbe Georg Joseph Vogler" By F. K. Grave And M. G. Grave, CHOICE, Ann Kosakowski McNamee

Submissions from 1986

Review Of "Tonal Harmony, With An Introduction To Twentieth-Century Music" By S. Kostka And D. Payne, Journal Of Music Theory, Ann Kosakowski McNamee

Submissions from 1985

Bitonality, Mode, And Interval In The Music Of Karol Szymanowski, Journal Of Music Theory, Ann Kosakowski McNamee

The Role Of The Piano Introduction In Schubert's "Lieder", Music Analysis, Ann Kosakowski McNamee