Document Type
Article
Publication Date
Spring 2004
Published In
Cinema Journal
Abstract
This essay offers a reading of Kinugasa Teinosuke's independent silent films as responses to the traumatic experience of twentieth-century modernity. Of particular interest are the global and local intertexts in A Page of Madness and Crossways, their connections to the literary criticism of the shinkankakuha, or New Perception school, and the centrality of sensory perception in Kinugasa's work.
Recommended Citation
William O. Gardner.
(2004).
"New Perceptions: Kinugasa Teinosuke's Films And Japanese Modernism".
Cinema Journal.
Volume 43,
Issue 3.
59-78.
DOI: 10.1353/cj.2004.0017
https://works.swarthmore.edu/fac-japanese/2
Comments
This work is freely available courtesy of University of Texas Press and the Society for Cinema and Media Studies.